[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_accordion _builder_version=\u00a0\u00bb4.12.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″][et_pb_accordion_item title=\u00a0\u00bbExag\u00e9ration\u00a0\u00bb open=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.12.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]<\/p>\n
L’hyperbole<\/b> (substantif f\u00e9minin) vient du grec huperbol\u00ea<\/i>, de hyper<\/i> (\u00ab\u00a0au-del\u00e0\u00a0\u00bb) et ballein<\/i> (\u00ab\u00a0jeter\u00a0\u00bb). C’est une figure de style<\/a> consistant \u00e0 exag\u00e9rer l’expression d’une id\u00e9e ou d’une r\u00e9alit\u00e9, le plus souvent n\u00e9gative ou d\u00e9sagr\u00e9able, afin de la mettre en relief. C’est la principale figure de l’exag\u00e9ration et le support essentiel de l’ironie<\/a> et de la caricature<\/a>. L’hyperbole correspond le plus souvent \u00e0 une exag\u00e9ration qui tend vers l’impossible. C’est un proc\u00e9d\u00e9 proche de ceux de l’emphase<\/a> et de l’amplification<\/a>. (Wikipedia)<\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=\u00a0\u00bbExercice\u00a0\u00bb _builder_version=\u00a0\u00bb4.12.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb open=\u00a0\u00bboff\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]<\/p>\n \u00c9crivez deux couplets en exag\u00e9rant. Mettez-en. Beurrez \u00e9pais…<\/p>\n [\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.6.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttp:\/\/wp.alainmasse.com\/wp-content\/uploads\/2021\/11\/citation-exagere-mais-l-art-imbecile-c-est-une-exageration-l-exageration-c-est-une-facon-de-octave-mirbeau-157530.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.12.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb theme_builder_area=\u00a0\u00bbpost_content\u00a0\u00bb title_text=\u00a0\u00bbcitation-exagere-mais-l-art-imbecile-c-est-une-exageration-l-exageration-c-est-une-facon-de-octave-mirbeau-157530″ sticky_enabled=\u00a0\u00bb0″][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" L’hyperbole (substantif f\u00e9minin) vient du grec huperbol\u00ea, de hyper (\u00ab\u00a0au-del\u00e0\u00a0\u00bb) et ballein (\u00ab\u00a0jeter\u00a0\u00bb). C’est une figure de style consistant \u00e0 exag\u00e9rer l’expression d’une id\u00e9e ou d’une r\u00e9alit\u00e9, le plus souvent n\u00e9gative ou d\u00e9sagr\u00e9able, afin de la mettre en relief. C’est la principale figure de l’exag\u00e9ration et le support essentiel de l’ironie et de la caricature. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[8],"tags":[],"class_list":["post-486","post","type-post","status-publish","format-standard","hentry","category-exercices-2021"],"_links":{"self":[{"href":"https:\/\/wp.alainmasse.com\/index.php\/wp-json\/wp\/v2\/posts\/486","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.alainmasse.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp.alainmasse.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp.alainmasse.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.alainmasse.com\/index.php\/wp-json\/wp\/v2\/comments?post=486"}],"version-history":[{"count":3,"href":"https:\/\/wp.alainmasse.com\/index.php\/wp-json\/wp\/v2\/posts\/486\/revisions"}],"predecessor-version":[{"id":490,"href":"https:\/\/wp.alainmasse.com\/index.php\/wp-json\/wp\/v2\/posts\/486\/revisions\/490"}],"wp:attachment":[{"href":"https:\/\/wp.alainmasse.com\/index.php\/wp-json\/wp\/v2\/media?parent=486"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp.alainmasse.com\/index.php\/wp-json\/wp\/v2\/categories?post=486"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp.alainmasse.com\/index.php\/wp-json\/wp\/v2\/tags?post=486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}